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Thursday, February 28, 2013

Oscar 2012 Redux

The Oscars are over. This blog as the  City of Bloomfield Hills' most entertaining electronic rag (there is only one other) is proud to comment on the phenomena and offer a  preview or two  of coming attractions (which  for reasons we can not comprehend are now called of  are called trailers).

This writer is  probably the only person who didn't like Argo. It was just fine during the viewing. In fact I liked it  so much so that I went on line and read all about it. That was mistake. Why ? Because what really  happened was more exciting and less contrived than what was shown on the screen . A masterful plan made real by the CIA and Hollywood with helpers like Buckminster Fuller and  Ray Bradbury  (Fahrenheit 451) was ignored. In Argo that collaboration  is played  for yucks by the ubiquitous  John Goodman and  Alan Arkin. The latter  seems intent on reprising his role in Little Miss Sunshine.

The Canadians who aided us immensely in the escape, by sending embassy staff in and out of the country to ascertain airport security,buying the  departure tickets, and even tutoring  the Yanks on how to speak Canadian English, are  forgotten. The outcry over said prompted the  producer's of Argo to post a  post script at the film's  conclusion stating  that  the escape was the result on "international cooperation". The  movie has the CIA getting cold feet and almost scuttling  the project by not providing the departure tickets (which in reality were purchased by the Canadian Embassy). Even the CIA agent who helped mastermind the project and lead it a successful conclusion is compromised. In the film he and is wife are "taking a break from their marriage."  In reality on the day of his departure to Tehran the wife  drove the agent  to the airport.

If you would like, say for the sake of argument, to consider moral ambiguity Argo has none. Fanatics storm the US Embassy and the true story of how half dozen American with a little help from our friends escaped  is trampled  in a mad dash,  cut to the chase.

Zero Dark Thirty has  a smidgen  of moral ambiguity. In all other respects it suffers in comparison to  almost everything else including rather  ignominiously a  preview of a coming attraction for  the movie Emperor. Emperor is set during the United States occupation of Japan after the Second World War. In a matter of minutes the preview tells us  that General MacArthur  (Tommy Lee Jones)  is not sure what do with the defeated Emperor, connecture is not fact, and revenge is not justice.

Zero Dark Thirty starts with torture scenes that according to some experts provided negligible  information in the hunt for Bin Laden. One imagines that these scenes were included because  like desert sand they, just part of the landscape.  Part of the problems with  this film is that you are not  (perhaps for reasons of  security) privy to very many facts. It is never explained where the CIA lady (Jane Chastain ) who becomes  the protagonist comes from. She just drops in as do you.. I think the term is  "in medias res."  Unless you know a lot you really aren't sure of what is going on. Especially in the early stages. No offense intended . Spywise there is a name for leaving you in the dark. It's called trade craft.

As opposed to beginning of the film the  red, white, and  blue  finish with flying colors. While protagonist is 95% certain  the compound in question is actually  Ben Ladin's ,the CIA powers that be wait until that certainty is 100% before launching the raid. That's good. As is the efforts of the Navy Seals who attack an armed and locked  multi building compound  (It's much bigger than what you saw in the newspaper or TV photos). Going building by building blowing off doors with presumed plastic explosives they awaken  angry  nearby neighbors who make an appearance  Eventually the local authorities launch F 15 fighter  jets which we  probably sold them. By then the Seals have escaped into the night   Mission accomplished.

In contrast,  The Life of Pi and Les Miserables were most enjoyable and thought provoking,.
You want moral ambiguity ? How about Les Miserables  with the  X man  Wolverine as John Val Jean and  Inspector Jabert  played with  empathy and  surprising sensitivity by the normally  two
fisted  Russel Crowe  ?

The  Life of Pi  offers three religions, and two possible explanations for an unplanned often  spiritual journey of life  from French India (Goa. annexed  by the New Dehli government in the early nineteen sixties) to Montreal. The movie advertisement show a teenage boy and tiger sharing a lifeboat.  That is part of the film but don't let that deter you . Pi's  family "owned "a zoo in French India. As the  father pointedly states their  ownership stopped with the  the zoo animals and did not include the land the government would  annex.  That annexation prompted the family's departure by sea with animals in cargo..Story telling is at the heart of the movie.The story of how Pi came to be named , the problems his unusual name caused   and what he did about is hilarious and worth the price of admission .As is the extra $2 required for 3D viewing . The movie is narrated  matter of fact with a touch of semi  zen tossed in.. If one is curious many interesting interpretations abound on the internet

Lincoln is a historically accurate. It is also a very clever movie which works in the Gettysburg Address and the exact language of the 13th amendment and all the fighting  that went into it's passage while still being very entertaining.. Curiously Lincoln had a re-occurring dream in which he was on a small boat not unlike Pi 's  and was on drifting towards an unknown destination. Mary Todd Lincoln  (Sally Fields, nee TV's Gidget, and the Flying Nun   and  a two time Ocsar winner) said  Abe always had that dream when he was under stress.

Amour deal with death and morally ambiguous outcomes. It ends with a five word conversation husband a wives  often have when going somewhere. Like the Life of PI you can interpret the ending a number of ways. The denouement scene didn't sell this writer but  maybe it wasn't for sale. The ending was stunner. I did not however have the desire to go on line and consider various interpretations.

 Beast of the of the Southern Wild  despite being a low budget Indie  has enormous  heart  and depicts a  part of our country which is often underwater.. Both the Oscar nominated  actresses of Amour (age 86) and Beasts( age six when the movie was being filmed ) despite much adversity and the shadow of death  comment on the beauty of life. It is said that Beasts also cleaned out the community theaters and  drama guilds of southern Louisiana to populate it's film and give it a big picture feel.

The Nine Pictures (of which we have so  far discussed seven) sort of over lap and  in content could be packed together in a nine disk box set to be called  "The  Big Nine of 2012."

So  like the Zen Master says  in the end  we must go back to the beginning. In the beginning it was really quite simple. People did what they thought was right. There was no  consideration of  fairness or moral ambiguity because no thought they were doing anything wrong.

 Academy members who saw all of the above pictures,  because all  have been in theaters forever, gave
 King Ben Afflleck's  Oscar nomination for Best Director of Argo to another Ben,. Benh Zeitlin for the  Beast of the Southern Wild.  Hollywood money making interests  (not realizing how hard it is to direct amateur (often  first time actors) then went nuts over the perceived snub to Mr. Affleck.

Thus the need for good direction became obvious. Tit for Tat, Hollywood  may have  gone to  to the Central Intelligence Agency and asked for help. There aided by a  young lady with a code name ( no further explanation  provided )  a  95%  solution was arrived at.


 To rectify the snub to Big Ben Argo would get best picture. Life of Pie would get Best Director, Lincoln would get Best Actor. Silver Lining Playbook would get Best Actress.Amour would get best foreign film. Les Miserables would get Best Supporting  Actress  and a nice number on the Oscar show. Zero Dark Thirty in a tie with Skyfall would  receive the award for sound  editing. If that sounds paltry perhaps it is the price one pays for being semi -controversial. Beasts of the Southern Wild would have it's nominations (Picture, Actress, and Director) the latter two for first timers. Djano Unchained would get Best Supporting Actor . Nobody but nobody would brag about how many Oscars they received because nobody would receive very many.

Am I rewriting history ? Perhaps just a little or as Yogi Berra famously said  it could be  deja vu all over agian.

 Hollywood needed a play book. Preferably one with a silver lining. As luck would have it a movie by exact;y that name came long. The film  had  the de rigueur  number of tie ins to other he other nominated pictures. It had the karma  of Pi,  the passion and sincerity of Lincoln.  Silver Lining Playbook  provided  a  cop who makes  Inspector Jabert look like the Welcome Wagon, and  a hero  hampered by restraining orders. at every turn, The movie  also spoke French. Well sort of. Our hero goes  goes bananas every time the song Mon Cherie Amour is played. It is a  wonderful romantic comedy that will warm the hearts and  prompt impromptu cheering  from those who hate romance and comedies. Silver Lining Playbook is in this writer's opinion, the Best Picture of the year  and can boast a proud pedigree. The first to come to mind is  Rostand's Cyrano de Bergerac  but there are other parallels as well.

Silver Lining Playbook  is the  the first film since 1981 to receive nominations in each of the important categories  Thiry years ago then King Warren Beatty's  Reds  was nominated for Best  Picture, Director, Actor, Actress,  Supporting Actor, Supporting Actress, and Adapted Screen Play.

For the  happy ending  Silver Lining requires two possible but  improbable events to occur on the same day. It is similar to  Beatty's  other blockbuster  hit Heaven Can wait  in which an athlete improbably passes on a pass through the pearly gates in order  to to compete in the Super Bowl.

Regrettably this  writer  has yet to see Djano Unchained which is the second (in three years)  award winning collaboration of  the seemingly unlikely combination of  the urbane European Christopher Waltz and the sassy and brassy American Quentin Tarantino who directed Waltz in  in both Djano and 2010's Inglorious Bastards.  Waltz won the Oscar for Best Supporting Actor in both films . This year  Tarentino won the Oscar for Best Original Screenplay. In 1994 he won the same award for Pulp Fiction. Neither triumph went unnoticed or unacknowledged  by Studio Babelsberg  which produced Inglorious Bastards  and  Roman Polanski's The Piano and Ghostwriter.

Hollywood is still the star  but best stay on it's toes because Babelsburg, Bollywood, and some say South Korea with spectacular CGI war movies is waiting in the wings. For more see 1950's Best Picture All about Eve.





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